By Sarah Rees Brennan [LibraryThing]
Nick has spent his life on the run from magicians and the demons they call up, with only his brother Alan and his crazy mother. But when a couple of kids come to him and Alan for help and Alan gets marked by a demon, Nick discovers that Alan has been lying to him for his whole life and nothing — not Alan or even Nick himself — is what it seems.
I’d heard a lot about The Demon’s Lexicon before finally reading it, and most of that was very good — and about Nick. Nick is the main thing makes the book so interesting: while he fits roughly into the “dark and broody boy” archetype, he’s an almost totally unsympathetic character. For all intents and purposes, he’s a sociopath. He has no empathy whatsoever, feels nothing, and can easily kill without a second thought. The only thing standing between him and complete blankness is Alan, who he loves desperately and will do anything to protect.
I think Breenan walks a very fine line with Nick. He’s not a character people should be able to identify with, but having a completely non-empathetic protagonist could also make it hard to enjoy the story, since it’s entirely told through Nick’s POV. But Nick manages to stay readable if (for me) a little frustrating. I spent most of the book a little bit bothered that, while he was very interesting, we didn’t know why he was like that — but that problem is cleared up by the end. I think overall the character works well and I did certainly end up caring about him, even though I’d never identify with him (which is generally my preference as a reader).
But I think it’s also one of the few problems with the book, even aside from my personal preferences. Nick’s POV is uncaring, so it isn’t like he asks other characters what they’re feeling or why, how they’re doing, how they got to be the way they are. Because he never gets into anyone else’s head — he just doesn’t care — the reader doesn’t get to, either. I felt somewhat cut off from the supporting cast throughout, which included characters I probably would have otherwise been able to empathize with. Mae and Jamie, the kids who go to Nick and Alan for help, are pretty interesting; we see glimpses into their lives before the book, we see some of their relationships and interests, but there’s never much of what they’re feeling — not much sense of how scared they are over the sudden introduction of demons to their lives, even when they find out, early on, that Jamie’s mark means he’s going to die. I think having a better sense of the peripheral characters might have evened out the narrative a bit, and made up for some of what Nick lacked as a protagonist. (I didn’t spoiler cut that because it’s like…chapter two.)
All that said, I don’t want to sound like I’m knocking the book or the way the Nick was written. It all came across as very deliberate, very well thought out and well executed by Brennan. It wasn’t my preference, which meant the book never quite clicked for me as a reader, but it was still a good read and I can definitely see why other people enjoyed it so much.
I really liked the book’s world building and approach to magic, magicians, and demons. For most of the book, I was feeling a 3.5 cupcake rating — and then I hit the climax, the last 40 pages or so. That was really, truly brilliantly executed. I thought I’d seen the big twist coming — I certainly saw part of it — but the final reveal? Wowzers. So at last second, this book got knocked up to four cupcakes, and after that climax, I will definitely pick up the sequel when it picks up.
Tags: Sarah Rees Brennan